Urban Outfitters The Great American Pin-Up Assort

At the turn of the 20th century, the American photographer Edward Sheriff Curtis (1868-1952) started on his 30-year project to produce a monumental study of North American Indians. Using an approach that was both artistically and scientifically ambitious, he recorded, in words and pictures, the traces of the traditional Indian way of life that was already beginning to die out. With tireless personal commitment Curtis visited 80 American Indian tribes from the Mexican border to the Bering Strait, gaining their confidence through his patience and sensitivity. His work was printed in 20 volumes between 1907 and 1930 as The North American Indian, but with only 272 copies, originals became extremely rare. This book gathers Curtis's entire American Indian portfolio into one publication, offering renewed access to and appreciation of his extraordinary achievement, which is as much a precious historical document as a triumph of the photographic form.

Surreptitious messages, concealed myths, and historical truths lie hidden in the great works of the Italian Renaissance, behind heavy gold leaf and religious symbology. Although often obscured by the archaic language of historical painting, careful analysis and expert interpretation bring these images to life. Discover masterpieces of the most beloved creative epoch in this fascinating art historical inquiry. Images of war, romance, birth, and knowledge, works of the Italian Renaissance have much to say, when given a voice. Rose-Marie and Rainer Hagen do just that-pulling apart each of the 12 featured paintings with all the talent of true detectives to offer an illuminating portal to the past. From Michelangelo's The Creation of Adam to Ucello's The Battle of San Romano, from Antonello da Messina's St. Jerome in His Study to Pinturicchio's Penelope with the Suitors, the artworks under investigation are a diverse representation of the period's innovation and brilliance, sourced directly from some of the most impressive collections in the world, including the Uffizi, Prado, and National Gallery London.

It might seem like the sitters and subjects of art history's greatest nude paintings have little left to show, but don't be fooled: there is more than meets the eye in these naked masterworks. Rose-Marie and Rainer Hagen guide us into the secrets of the flesh, coupling extended discussions with crisp, enlarged details of 12 iconic works from the canon of art history. Biblical tales of morality or modern portrayals of leisure, works such as Tintoretto's Susanna and the Elders or Manet's The Luncheon on the Grass offer diverse visions of natural beauty. Each artwork is presented in reproductions of the highest quality, sourced directly from the original, located in collections of the Louvre, Musée d'Orsay, Uffizi, and many others. From works depicting ultimate feminine grace, like Velázquez's Rokeby Venus, to Hans Baldung's mesmerizing image of the body's decline in The Three Ages of Man and Death, these paintings are unified in their masterful rendering of the bare human form-both in life and beyond. Through this exploration into the covert secrets of nude works, they cease to be two-dimensional and come to full hot-blooded life.

Byzantine empresses, French revolutionaries, and Spanish generals: history's most impressive figures stare boldly out of the canvases in this collection of formidable paintings. Each individual represented in these images radiates with strength and splendor; be they an aristocratic widow in mourning, a murdered politician, or a jovial group of Ukrainian rebels. Authors Rose-Marie and Rainer Hagen tease out the stories and secrets of 13 masterpieces by artists including Goya, Titian, Velázquez, and Ilya Repin. Regal, holy, and wise, the men and women in these works will inspire you with their conquests and resilience. TASCHEN reproduces these masterworks in stunning quality, working in collaboration with esteemed art collections all over the world, including in Brussels, St. Petersburg, New York, and Naples. Combining astute analysis with magnified painting details, this book is a unique historical investigation in tribute to the movers and shakers of the past.

At the dawn of the automobile age, Americans' predilection for wanderlust prompted a new wave of inventive entrepreneurs to cater to this new mode of transportation. Starting in the 1920s, attention-grabbing buildings began to appear that would draw in passing drivers for snacks, provisions, souvenirs, or a quick meal. The architectural establishment of the day dismissed these roadside buildings as "monstrosities". Yet, they flourished, especially along America's Sunbelt, and in particular, in Southern California, as proprietors indulged their creative impulses in the form of giant, eccentric constructions - from owls, dolls, pigs, and ships, to coffee pots and fruit. Their symbolic intent was guileless, yet they were marginalized by history. But, over the past 40 years, California's architectural anomalies have regained their integrity, and are now being celebrated in this freshly revised compendium of buildings, California Crazy. Brimming with the best examples of this architectural genre, California Crazy includes essays exploring the influences that fostered the nascent architectural movement, as well as identifying the unconventional landscapes and attitudes found on Los Angeles and Hollywood roadsides which allowed these buildings to flourish in profusion. In addition, California Crazy features David Gebhard's definitive essay, which defined this vernacular movement almost forty years ago. The California Crazy concept is expanded to include domestic architecture, eccentric signage, and the automobile as a fanciful object.

The best of sports photographer Neil Leifer's 10,000 rolls of football pictures, including hundreds of previously unpublished images. Presented in a custom slipcase and limited to a total of 1,500 copies signed by the photographer, this Collector's Edition is a companion to Neil Leifer's instant sell-out success, Ballet in the Dirt: The Golden Age of Baseball, published by TASCHEN in 2007. In 1958, sports photographer Neil Leifer took the picture that remains one of his most famous to this day. The day he got the shot-Alan Ameche's game-winning "Sudden Death" touchdown-was Leifer's 16th birthday. This game, called "The Greatest Ever Played," signaled football's emergence as America's new national pastime; formerly half-empty stadiums welcomed sold-out crowds seemingly overnight, while football surpassed pro baseball and college football in national television ratings. Starting then, on any given Sunday, Leifer was most likely shooting a football game somewhere in America. His 1961 photo of legendary Giants quarterback Y.A. Tittle dropping back to pass landed Leifer his first cover for Sports Illustrated and cemented his close connection to the sport. While best known for his iconic photograph of Muhammad Ali towering over a fallen Sonny Liston, and for the enormous diversity of subjects he covered in and out of the sports world, it is his football pictures Leifer considers his best. This collection represents the best of his best, culled from over 10,000 rolls of film on the sport, including hundreds of previously unpublished pictures. It's impossible to conceive of Peyton Manning hovering over an impromptu wood fire on the sidelines during a blizzard, but Leifer captured Tittle's Giants doing exactly that during the coldest game in his living memory (the 1962 Championship in New York, a game "far colder than the famous Ice Bowl"). From Vince Lombardi's Green Bay Packers dynasty to the Miami Dolphins' perfect season in 1972 to the Minnesota Vikings' terrifying Front Four-the "Purple People Eaters"-they're all here. Following an introduction assembled from the best football columns of the era by famed sports columnist Jim Murray, this collection is divided into four chapters: "On Any Sunday" is Leifer's homage to the game. "The Legends" includes heroes like Johnny Unitas, Jim Brown, Terry Bradshaw, Joe Namath, Dick Butkus, Frank Gifford, and "Mean" Joe Greene. "The Bosses" delves into the victories on and off the field of immortal coaches Vince Lombardi, John Madden, Tom Landry, Weeb Ewbank, and others. Finally, "The Big Game" traces major championship games from 1958 through Super Bowl XII. The indepth captions put the images into their historical context, making the book highly accessible and informative. Also available: The Art Edition, limited to 200 copies, numbered and signed by Neil Leifer and accompanied by one of two chromogenic prints, numbered and signed below the image by the photographer

Holds many surprises for the reader who has seen the Cuban reality. only through the distorting prism of propaganda." -The New York Times Book Review, 1967 On December 31, 1958, Lee Lockwood, then a young photojournalist, went to Cuba to cover what looked to be the end of Batista's regime. He arrived the day before Fidel Castro took power and spent a week canvassing the island before finding the victorious leader. Castro immediately took to Lockwood and over the next decade invited him back many times, granting him special access to his inner circle and free rein to explore the island without the usual restrictions imposed upon American journalists. In 1965, Castro granted Lockwood a rare, in-depth interview but then missed appointment after appointment. Days turned into weeks turned into three interminable months, as Lockwood, like many journalists before and since, waited for Castro. But it was worth the anticipation, climaxing in a marathon seven-day interview that covered everything from racial issues in America to the Cuban Missile Crisis. It remains to this day one of the most penetrating portraits of the Cuban leader. Originally published in 1967, Lockwood's interviews and observations are now republished by TASCHEN alongside hundreds of photographs covering both the weeks Lockwood spent traveling with Castro and the years he documented Cuba's transformation throughout the '60s. From military encampments in the Sierra Maestra mountains to Havana street life and political rallies, many of these color images have never been published before. A foreword and afterword by Latin America expert Saul Landau contextualize Lockwood's work at a moment in history when U.S-Cuba relations once again take center stage."

From the mighty halls of ancient Alexandria to the coffered ceilings of the Morgan Library in New York, human beings have had a long, enraptured relationship with libraries. Like no other concept and like no other space, the collection of knowledge, learning, and imagination offers a sense of infinite possibility. It's the unrivaled realm of discovery, where every faded manuscript or mighty clothbound tome might reveal a provocative new idea, a far-flung fantasy, an ancient belief, a religious conviction, or a whole new way of being in the world. In this new photographic journey, Massimo Listri travels to some of the oldest and finest libraries to reveal their architectural, historical, and imaginative wonder. Through great wooden doors, up spiraling staircases, and along exquisite, shelf-lined corridors, he leads us through outstanding private, public, educational, and monastic libraries, dating as far back as 766. Between them, these medieval, classical, baroque, rococo, and 19th-century institutions hold some of the most precious records of human thought and deed, inscribed and printed in manuscripts, volumes, papyrus scrolls, and incunabula. In each, Listri's poised images capture the library's unique atmosphere, as much as their most prized holdings and design details. Featured libraries include the papal collections of the Vatican Apostolic Library, Trinity College Library, home to the Book of Kells and Book of Durrow, and the holdings of the Laurentian Library in Florence, the private library of the powerful House of Medici, designed by Michelangelo. With meticulous descriptions accompanying each featured library, we learn not only of the libraries' astonishing holdings-from which highlights are illustrated-but also of their often lively, turbulent, or controversial pasts. Like Altenburg Abbey in Austria, an outpost of imperial Catholicism repeatedly destroyed during the European wars of religion, or the Franciscan monastery in Lima, Peru, with its horde of archival Inquisition documents. At once a bibliophile beauty pageant, an ode to knowledge, and an evocation of the particular magic of print, Massimo Listri. The World's Most Beautiful Libraries is above all a cultural-historical pilgrimage to the heart of our halls of learning, to the stories they tell, as much as those they gather in printed matter along polished shelves.

Nomadic homes come in all shapes and sizes. They are for the wealthy and the poor, the trendy and the out-of-luck. Changing one's place of residence is an endeavor that is as old as humanity, for reasons of season, or, more recently, to better occupy leisure time. Written and edited by Philip Jodidio, this volume with illustrations by Russ Gray contains some of the most remarkable examples of homes on the move. Starting with totally revamped Airstream mobile homes, and going on to spectacular moveable vacation houses of the Epic Retreats "pop-up boutique hotel" in Wales, this book doesn't stop moving, surveying the best in campers and tents, and going on to extravagant marine dwellings like BIG's Urban Rigger, or the Manta Underwater Room in Zanzibar. At the other end of the spectrum, we find refugee housing for those forced into a life on the move, including shelters designed by the Pritzker Prize-winning architect Shigeru Ban. What we discover throughout is that the nomadic spirit of our hunter-gatherer ancestors is very much alive in the modern world. Where architecture has often sought stability and thus the lack of movement, modernity has brought a sense of the finite, and a good deal of modesty about posterity and longevity. What more contemporary thought could there be than to seek nothing so much as to move, to grow perhaps, but always to move. "A good traveler," said the ancient Chinese philosopher Lao Tzu "has no fixed plans and is not intent on arriving." As this book ably shows, it is the journey that counts.

The most famous 18th-century copper engraver, Giovanni Battista Piranesi (1720-1778) made his name with etchings of ancient Rome. His startling, chiaroscuro images imbued the city's archaeological ruins with drama and romance and became favorite souvenirs for the Grand Tourists who traveled Italy in pursuit of classical culture and education. Today, Piranesi is renowned not just for shaping the European imagination of Rome, but also for his elaborate series of fanciful prisons, Carceri, which have influenced generations of creatives since, from the Surrealists to Samuel Taylor Coleridge, Edgar Allan Poe, Jorge Luis Borges, and Franz Kafka. Loosely based on contemporary stage sets rather than the actual dingy dungeons of Piranesi's day, these intricate images defy architectural reality to play instead with perspective, lighting, and scale. Staircases exist on two planes simultaneously; vast, vaulted ceilings seem to soar up to the heavens; interior and exterior distinctions collapse. With a low viewpoint and small, fragile figures, the prison scenes become monstrous megacities of incarceration, celebrated to this day as masterworks of existentialist drama.

In 2018, London's Hyde Park was home to Christo and Jeanne-Claude's latest installation: The Mastaba (Project for London, Hyde Park, Serpentine Lake). The temporary sculpture took cues from mastabas of the first urban civilizations of Mesopotamia, which were mud benches with two vertical sides, two slanted sides, and a flat top. Towering at 20 meters high, its 600 metric tons anchored to the Serpentine Lake, this waterborne project gathered 7,506 painted oil barrels to create a floating mosaic of red, white, blue, and mauve. The most ambitious of Christo and Jeanne-Claude's barrel works to date, The London Mastaba is a precursor to the duo's work in progress The Mastaba (Project for Abu Dhabi, United Arab Emirates). First conceived in 1977, The Mastaba for Abu Dhabi, if realized, would be Christo and Jeanne-Claude's greatest achievement and only permanent large-scale work. Situated in the desert and made of 410,000 multicolored barrels, the 150-meter-high sculpture would be the largest in the world, rising higher than the Great Pyramid of Giza. Designed by Lorenza Giovanelli and Christo, this book gathers drawings, collages, technical data, scale models-many published for the first time-and photographs by Wolfgang Volz to trace Christo and Jeanne-Claude's 60-year history of barrel artworks.

As urban living intensifies in density and numbers, the city landscape expands both outwards and upwards. Architects and urban designers craft new and experimental structures while also investigating existing buildings for potential reinvention or expansion. In particular, the roof of a building, once a perfunctory structural element, is now a city space in and of itself, beloved for the capacity to eke out further room for living or to craft inspiring refuges away from the bustle of the metropolis. This international selection of urban rooftops catalogs a new urban dimension. Through over 50 bars, restaurants, temporary art installations, and gardens, it testifies to the variety of intelligent and exuberant designs that grace city summits from Sydney to Hong Kong, Oslo to Chicago. Whether it's the panoramic views, the exposure to the elements, or a slight giddiness that comes with height, we see just how the roof has nurtured not only architectural invention but a whole new facet and thrill to city living. Just like its predecessors Tree Houses and Cabins, Urban Rooftops features both brilliant photography and bright contemporary illustration from Boyoun Kim. As with all books in TASCHEN's architecture series, it also celebrates both the established and the rising talents of the industry. Featured artists in this movement towards the skies include Pritzker Prize winners Norman Foster and Shigeru Ban, Jeffrey Inaba, Julien De Smedt (JDS), and landscape designers such as Ken Smith and Vladimir Djurovic.